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Dance in Brno
Papcun, Peter ; Všetečková, Alena (referee) ; Galeová, Nicol (advisor)
Contemporary dance theater faces the problems of insufficient infrastructure and unsuitable spaces for its performances. Classic theater buildings and other transformed spaces often do not meet the specific needs of dance art. The lack of new, specially designed spaces in the Czech Republic leads to the migration of dancers abroad or to Prague. In this work, I devoted myself to the analysis of the current issue of dance theater and at the same time I focused on the analysis of the solved plot. Based on these analyses, I developed a proposal for a new theater that reflects the identified problems, offers solutions and deviates from standard ideas about the theater. The goal of my proposal is to create an environment that will be in line with the requirements and needs of the dance theater today. When designing the theater, I took into account aesthetic, functional and technical aspects in order to create a space that will allow the presentation of dance performances in the best possible form. The result is a comprehensive theater design, which is based on thorough analysis and at the same time brings innovative solutions for dance theater today. The building should be integrated into the scale of the city of Brno and become an integral part of its life.
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Semiotics of theater space
Krátká, Denisa ; Kladný, Tomáš (advisor) ; Charvát, Martin (referee)
This thesis deals with the theater as a specific aesthetic form combining visual and acoustic transmission of information within a specific communication model. Theory of theater, which is a independent and self-sufficient art department drawing on other types of art and creating unique artistic communication and experience in a particular space and time. The theater surroundigs and space, which is in the theater clearly defined and divided into zones - the stage and the auditorium. Thus adapted space affects the creation, transmission and reception of signs and require specific procedures of creative work. Particular kind of theater in this work is physical theater and dance. Through movement and dance in the theater transmits communication content in a different way. Symbolism of the body and movement in theater includes theatrical code. This system constitutes the characters and the code with which the operating theater and regulates the material which is used as theater character. At the same time determines how and under what conditions they can be combined characters and the importance attributed to these characters the audience. The empirical part contains an analysis of the performance of shadow dance group Teulis who participated in the project Czech Slovakia has talent.
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Slovak mime and physical theatre
Henzelyová, Rita ; Christov, Petr (advisor) ; Sarkissian, Alena (referee)
The subject of this thesis is Slovak mime theatre. It begins with the connections to the period of its foundation and introduces topic about founder of Slovak mime theatre - Milan Sládek. The next part of the thesis focuses on Slovak amateur theatre artists and their work at the time when professional mime theatre didn't exist in Slovakia. These artists used to experiment with different kinds of theatre technics, including mime theatre. Last part is based on analysis work and performances of the modern authors - Miroslav Kasprzyk, Štefan Capko, Juraj Benčík, Tomáš Kasprzyk, Valéria Daňhová, Barbora Debnárová, Pavol Seriš and modern theatre companies - Puppet Thetare Žilina, Debris Company, Teatro Tatro and Theatre Silent Sparks. It describes how the character of Slovak mime theatre has changed within more than fifty years of existence.
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Contemporary Dance Theatre in the Czech Republic and Its Own Structure
Hájková, Zuzana ; POKORNÝ, Jiří (advisor) ; SULŽENKO, Jiří (referee)
The aim of the thesis is to map and introduce Czech contemporary dance theatre with the accent on the entities and their interconnection. It is only focused on the professional contemporary dance theatre, movement theatre and physical theatre. First part offers an overview of companies, venues, festivals, funds and professional organizations. But main outcome of this thesis are original graphs. They fluently develop and expand previous mapping part. Thesis could be useful for those already working in dance field and even for those who intent to work in dance field for example as a manager.
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Movement in drama and opera - work of Robert Wilson
Waidingerová, Andrea ; SOPROVÁ, Jana (advisor) ; HYVNAR, Jan (referee)
Most of us try to do performance in pure style (mime, drama, clownerie, slap stick, physical theatre, opera, musical, ballet). I am interested in mixing of these styles. Robert Wilson works this way. For him movement is one of the basic means of communication. He works ? as mime theatre does ? with images (pictures). He works with hyperbole and big stylization, that is close to mime theatre. This thesis is interested in mime theatre or theatre of movement and its relation to other elements of theatre. The thesis also deals with the work of Robert Wilson and tries to show the interaction of the elements he uses for the stage image. A how he touches the audience with his work.
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JOHN CAGE´S LEGACY TO MOVEMENT THEATRE
Fröhlichová, Marie ; PETIŠKOVÁ, Ladislava (advisor) ; MATOUŠEK, Vlastislav (referee)
This work is aimed to acquaint the reader with the work of American composer John Cage in 20th century primarily with his work related to dance, movement and theatre.
First of all, it describes the composer's musical development, systems and principles of his work that he reached on the basis of his music practise. After explaining how the Cage applied these principles in other artistic disciplines attention is focused to dance, movement and theater.
In conclusion, the work focuses on the reference of John Cage's art and theater legacy ? This, his own life philosophy, which had been develo- ped for many years of his work and in which Cage came to simple persuasion - the most important thing is the existence of music and noises as themselves. The essence of existence of noises.
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STYLIZATION VERSUS AUTHENTICITY, SCENOGRAPHY IN
NON-THEATRICAL SPACE.
Svobodová, Barbora ; SMOLÍK, Robert (advisor) ; TÄUBELOVÁ, Kristýna (referee)
This studie thesis make an attempt to identify issues related to the staging in nontheater
space. It make an effort to point out the pros and cons hidden in non-theatre
space and search for possible solutions resulting complications. The author deals
with the question of what degree of stylisation and authenticity is suitable and
appropriate for the non-theatre space conditions to avoid dilution and elusiveness of
the final theatrical form. Attention is paid mainly to visual solutions of the costumes
and masks, their function and redeemable value in physical and documentary theatre
and their relationship to selected non-theatre space. On the example of the physical
and documentary project Mary gave it. How will you give it? (directed by: Linda
Petáková) make the paper an attempt to specifically identify the different staging
folders in which the emphasis is on the communication with authenticity of nontheatrical
space. The last of all make the author an effort to other custom solutions for
staging posibilities for this particular type of theatre.
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